Films succeed in demonstrating backstories. Whether or not films poke fun at certain events, they shed light on global connections. Django Unchained does exactly that. The film Django Unchained sheds light on global connections by changing the perspective and adagio of exaggerations in some scenes. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essayDjango Unchained was released on December 25, 2012, earning $425.4 million at the box office. The film won a couple of awards, including Oscar, NAACP, BET, and many more, for its portrayal of a spaghetti western from a slave's point of view. Django Unchained is set in 1858, two years before the Civil War. This film is about a slave, Django (Jamie Foxx), who finds himself accompanying a bounty hunter named Dr. King Schultz (Christoph Waltz). Dr. Schultz purchases Django to find and capture the Brittle brothers. Django and Dr. Schultz make a deal that once Django helps find the Brittle Brothers, he will be freed. After the mission, Dr. Schultz frees Django as per their agreement when Schultz purchased him. Once Django is freed and he knows how Django will find his wife, Dr. Schultz proposes to team up over the winter to hunt down the most wanted criminals and collect the bounty. During the winter, Django enjoys being a bounty hunter because he kills white men, his oppressors. After the winter, Django and Dr. Schultz go on a mission to find Django's wife, Broomhilda (Kerry Washington), who is still a slave on Calvin Candie's (Leonardo DiCaprio) plantation. Doctor Schultz and Django create a plan to enter Candieland, find Broomhilda, and escape before being captured by Calvin Candie. It doesn't go as planned, but everything works out in the end for Django and Broomhilda as they ride away from the burning main house of Candieland. Django Unchained is about revenge, in the sense that the oppressed finally have victory over their oppressor. The film changes the perspective that most films have not delved into. Django Unchained is from the point of view of an enslaved black man. Most films based on this period of the Civil War do not portray a black man as the hero. Usually a white man is the main character. The main character is usually reserved for white people, which is the hegemonic code. The hegemonic code refers to particular ideologies regarding race and gender. It is where the public can recognize and receive ideologies as normative and familiar (Satchel, p.88). Movies have been following this code since they started being made. Minorities, when they have a part in movies, are usually second and subordinate to the white hero. Historically, films with a white hero bring in bigger profits because they attract audiences. The film Django Unchained changes this notion and demonstrates that there is greater profit in investing in non-hegemonic storylines that change the perspectives of minorities (Satchel, p.88). In the movie Django Unchained, the main character is a black man who is played by a black man. Some films have a minority character played by a white individual. «For now, however, we must consider the nature of value independently of its form of appearance» (Marx, page 128). This film proves that value is not based on appearance, but on quality. Django Unchained demonstrates that while there are different appearances in which a hero is a white individual or a minority, there can be a similar quality that audiences enjoy. Django Unchained changes the idea that a white individual should play the main characterfor a film to have good profits. With Django, a black slave, as the main character, the film changes the perspective of the story. The film, Django Unchained, tells the story. Although the film accurately depicts slavery, it rewrites history so that the film is no longer seen from a white man's point of view. The story is told from the point of view of a black man, although it was written by a white man, Quentin Tarantino. Django Unchained's perspective of a black slave adds a new element to the story. History no longer belongs to the white man, it also belongs to a variety of peoples. In Eric Wolf's introduction on Europe and peoples without history, he argues that history becomes "a story of moral success, a race through time in which each runner passes the torch of freedom to the next relay." This suggests that the story is about the “good guys” beating the “bad guys”. This then turns the story into a tale with a moral purpose, without any indication of the various social and cultural processes taking place in its own time and place. Wolf uses the example of class conflicts in ancient Greek cities and the relationship between free men and their slaves to suggest that history as moral history does not allow us to see the social processes of the time. We wouldn't ask the questions where the story turns into a moral success story. Django Unchained highlights the social and cultural processes of the period in which it is set. In this way, the film brings a new element of the story to light through a different lens that other films from the same period sometimes fail to do. Eric Wolf says the story is made up of multiple points of view. If we do not consider these multiple views, we lose sight of the connections between people, societies, cultures and countries. This film illustrates a different side of the story. It shows the escape from slavery and the paranoia of slave owners. With this escape and paranoia, came violence. The different side of the story shows the violence of slavery and the importance of slavery in the local and global economy. For example, in the film there is a scene early on where a line of six slaves walked barefoot in chains across Texas on their way to be sold. They were chained like dogs with the mentality that they were not people. The film also shows other forms of violence. Another example is a scene where Django and Dr. Schultz are entering Spencer "Big Daddy" Bennett's Tennessee plantation. There were small fragments of many slaves working in the huge cotton area. From a white man's perspective, the only thing shown are cotton fields with no slaves working them. If the film were set from the point of view of a white man, Django Unchained would not only show or emphasize the injustices and violence towards slaves. With the change of perspective towards a black slave, the retelling of the story in a different light emerges. As for the retelling of the story of Django Unchained, the film depicts how globalization has caused social consequences. Slavery played a huge role in boosting the local and global economy, which added to social structures. Michel Rolph Trouillot observes that “academic, political and business leaders in most of the world tell citizens that they can do nothing about the social consequences of globalization.” Django Unchained clearly describes this through dialogue. In the entire film, the n-word was used more than 110 times. This exaggeration of the use of the n-word demonstrates the social consequences. These consequences in the film suggest that slavery created a name that grouped together people without identity. With fragments of cotton fields and the slaves who worked them, the film illustrates that theSlavery was not just a speck in US/world history or in the economy. Django Unchained brings slavery to the forefront. He doesn't hide it. In “Cotton and the Global Origins of Capitalism,” Sven Beckert argues that “North Atlantic elites began to tell new stories about themselves, stories in which slavery had little place” in economic growth. Slavery in fact played a more important role in capitalism. As Beckert argues we should see slavery being an important part of the global economy, the film Django Unchained also suggests that the history of slavery needs to be part of the conversation regarding capitalism. Since slavery is the main focus of the film, Django Unchained, illustrates other forms of economy at the local level. In Sven Beckert's “Slavery's Capitalism,” he suggests that “the domestic slave trade witnessed some of the crudest business activity of the entire nineteenth century and helped transform slavery into something more than a system of labor: a regime of property in which wealth could be stored, transferred, leveraged, collateralized, and bequeathed through black men, women, and children held under legal title.” This means that slaves are property, which therefore means that property equals power. The more slaves you own, the more power you have in politics, society and the economy. “Baptists proposed 'torture' as the most appropriate explanation for the new efficiency of field work. The violence of the whippings, in the fields and at the weighbridge, pushed the workers to ever greater harvesting efforts". Sven Beckert suggests that slave owners used violence to make slaves work faster so that they, the owners, would receive more wealth from the amount of cotton ready to be sold. Not only does the number of slaves you own mean more power, but it also means that the more slaves you own, the greater your production of labor. This in turn gives them more wealth. Since slave owners could basically do anything to their slaves, they would allow overseers to use whatever force was necessary to meet the cotton quota. If slaves were not doing the right thing in whatever role they were on the plantation, they were punished so as to set an example of what happens when something wrong is done. In the scene where Django is taken by the Brittle brothers to Spencer "Big Daddy" Benet's plantation, he sees two brothers about to whip a slave girl for breaking a couple of eggs. The brothers used that slave as an example to others to show what would happen to those who did wrong. By treating slaves as property, owners can basically do anything to slaves. In the film there are particular scenes that demonstrate this. When Candie finds out that Django and Dr. Schultz have scammed him, he grabs Broomhilda, saying that she is his property and can do whatever he wants to her. And at that moment he has a hammer on Broomhilda's head. In another scene, a slave runs away because he doesn't want to fight anymore, so Candie orders the dogs to attack. Calvin Candie cools the situation, but this only leads the slave into hiding and ultimately leads to his death. Candie does not allow the slave to go unpunished because it could potentially lead to further escapes. With more escapes, it could cost them lost profits and power. The film not only portrays slavery as labor, but also as other forms of profit. The other forms of profit demonstrated in Django Unchained fuel Michel Rolph Trouillot's idea of ​​polarization and oligopolies. These two ideas led to the boom of local economies. Oligopolies are forms of markets.