The stage production the audience saw was Jasper Jones, presented by the State Theater Company South Australia and Flinders University. Based on the book by Craig Silvey and adapted by Kate Mulvany. The performance style was a combination of naturalism (Stanislavski) and epic (Brecht). This was demonstrated well as the acting was believable as the lead actors acted like 13-16 year olds, but were older. The main themes discussed in the show are racism and ignorance, growth, fear and courage. The main scenes discussed are the discovery of Laura Wishart's body, Charlie's mother Mrs. Bucktin being caught having an affair, and the first introduction of Mad Jack Lionel. Laura Wishhart's body scene will focus on music, lighting and direction. The Mad Jack Lionel scene focuses on costume, characterization, and setting. Charlie Bucktin's mother having an affair focuses solely on acting, costumes and directing. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get Original Essay Racism has appeared as there are many assumptions about the Jones and Lu family that depend on their race and social foundation. One instance of this is when Jasper is known as a "half-breed" and Jefferey is called "Kong". Growing Up shows the group of viewers how Charlie develops as he handles surprising circumstances and figures out how to deal with his feelings of trepidation. Young characters are forced to grow/develop rapidly when dealing with "adult" problems, e.g. escape, prejudice, infidelity and physical ferocity. Courage is introduced at the beginning, as Charlie is afraid of a lot of things, for example, his mother's temper, following Jasper, creepy beings, and threats like Warwick. As the show progresses, Charlie's courage develops. Although he does not defeat his feelings of fear, he manages to recognize them and face them. Jasper Jones' stage production directed by Nescha Jelk is a semi-realistic depiction of the making of social commentary and culture of Australian society in the 1960s. The distinct theatrical production demonstrates the harsh climate of xenophobia, cultural stereotypes and destructive racism that existed, as well as the fictional, patriarchal town of Corrigan. Against the social unrest of the Vietnam War, Mulvany explores themes of community, conformity and discrimination, which remain true and are personified by Jasper Jones' multifaceted characters. Jasper Jones' stage production coordinated by Nescha Jelk is a transitional portrait of the social publishing and cultural formation of Australian society in the 1960s. The particular theatrical creation shows the brutal atmosphere of xenophobia, social stereotypes and ruinous bigotry that existed, just like the anecdotal male chauvinist city of Corrigan. Against the social conflict of the Vietnam War, Mulvany investigates the themes of the network, similarity and segregation, which always remain current and are represented by Jasper Jones' multifaceted characters. In the scene where Charlie catches his mother in the act, Jelk's elements of costume, acting, and direction create a notable portrayal, as Charlie is frozen when his mother stumbles on the forest floor adjusting her dress. Mrs. Bucktin is hidden in the forest on stage, and Charlie is on stage and not visible to the audience. Leading up to this scene, Mrs. Bucktin behaves suspiciously as she goes out almost every evening and returns legless and drunk. It is not clear to the audience where she goes or who she is with, but the audience has a clear idea that she is not alone with noises.