Topic > Analysis of how Pablo Picasso pioneered a revolutionary style of modern art: Cubism

Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Martyr Patricio Clito Ruíz y Picasso also known as Pablo Picasso was a Spanish sculptor, ceramist and painter born in Málaga, Spain, on October 25, 1881. He was considered one of the most influential artists of the 20th century as he pioneered a revolutionary new style of modern art, the Cubism art movement . By challenging the conventional art of drawing real life forms, Pablo Picasso took a giant step in transforming art and the world. Some of Picasso's artworks, such as “Girl with a Mandolin,” “Three Musicians,” and “Three Women,” depict his revolutionary style. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Picasso showed extraordinary talent in his early years, painting with a creative temperament, where the lines are surprisingly solid and the image undoubtedly bears the “mark of the artist's individuality”. Picasso's early works were so surprising that his parents did not reject the idea of ​​allowing Picasso to pursue an artistic career. In 1895 he began his studies at the School of Fine Arts in Barcelona. 1897 he enrolled at the Real Academia de Bellas Artes de San Fernando Spanish art academy of the time. Before the era of Cubism, painters painted from their single point of reference, however this is not the case as we interact with the real life object. Life is complex and can only be depicted by multiple points of view. For example “we might see a tree in the distance, and as we get closer, our perspective of the tree changes.” Pablo Picasso recognized this fact and was looking for ways to portray real life completely in 2D planes. He began to push boundaries, challenging what art was at the time, painting the subject from multiple perspectives. Pablo Picasso also used monochromatic color spaces and simple geometric shapes in his works that create flatness to imply that all perspectives are equal. These approaches create “a simultaneous representation of many views on a single pictorial surface.” This era of experimentation and innovations is called "analytic cubism" and is believed to span from 1908 to 1912. Keep in mind: this is just one example. Get a custom paper from our expert writers now. Get a Custom Essay After Pablo Picasso invented “analytic cubism” in 1912, he continued to experiment with his works, in a phase often identified as “synthetic cubism,” attempting to create something even more realistic, something that could represent real life is then “complex and ambiguous”. Picasso began to incorporate everyday scraps such as newspapers or magazines as materials, which gives a critical sense of reality. He also began to reintroduce depth and vibrant color spaces into his works, which gives a sense of excitement and playfulness absent in his early Cubist works. These methods create an effect of 'ambiguity' in the viewer's mind, expressing the contradiction between illusion and reality.