The New York Times has become one of the most read newspapers in America and around the world. It has won the Pulitzer Prize 98 times since its birth in 1851, and the opinions of its writers are not taken lightly. It includes readers of every race, religion, color and age, creating a diverse newspaper that covers nearly every topic under the sun. From sports and entertainment to business and politics, the reader can be assured that it contains the latest and most accurate news on whatever topic they are looking for. Because of its world-famous name and immense popularity, the public regards The New York Times as a valid source and its writers as among the best in their field. No less esteemed was Jon Pareles' “The Case Against Coldplay” review. His skillful use of sarcastic humor, impregnable facts and logical statements make for an argument that shows a lot of understanding of the critical world of music. While his “Coldplay Case” presents immeasurable vulnerabilities, his undeniable use of example, criticism, and humor helps make this argument almost a success. Jon Pareles was declared by Ira Robbins (co-founder and co-publisher of Trouser Press) in Stephen Ward's article “The Gray Lady's Pop Music Man,” “by far the best working critic in America” and America he had no reason to dispute this statement. His name as a critic is renowned and his opinions are not taken for granted by music artists or consumers. Being an expert critic, Jon Pareles is completely aware of the diverse and knowledgeable audience he is addressing his argument to, and as such leaves no aspect of the argument unresolved. He completely annihilates the opposition by candidly stating every point that opposes his argument... in the center of the paper... his argument and appealing to the reader's sense of justice and logic. His professional handling of sarcastic humor, which would be the death of most critics, undeniably makes this subject almost a success. In "The Case Against Coldplay", although Pareles may not fully succeed in his argument being almost overly critical of Coldplay's music, he presents his work well with the professionalism and skill that has made his name famous in the world of entertainment. . Whether ignorant, fanatical, or critical of Coldplay's music, Pareles manages to appeal to the innate sense of logic and justice found in every human being with indisputable facts and borderline humor. Works CitedPareles, Jon. "The Case Against Coldplay." Everything is a discussion. Ed. Andrea A. Lunsford and John J. Ruszkiewicz. 4th ed. Boston: Bedford, 2007. 281-284.