Topic > A Bird Came Down the Walk, and a Narrow Fellow in the...

"A bird came down the walk" and "A narrow fellow in the grass" are both of Emily Dickinson's best-known poems in the world. Both poems talk about descriptions of nature. “A Bird Came Down from the Walk” includes birds and images, a simple and faithful way to capture the bird's personality. Birds become the unyielding nature of the mysterious emblem. This poem is a simple experience seeing a bird shop along the trail and celebrates every detail that is the simple but beautiful order of nature. He uses a playful and innocent rhythm in the poem to portray the image of nature. The reader can imagine a beautiful image in romantic poems and demonstrates his extraordinary poetic observation and ability to make it described. In “A narrow fellow in the grass,” Miss Dickinson uses several methods to create rhythm, to reveal the thesis of her encounters with snakes and other creatures of nature, and to contact her feelings. In “A bird came down the walk”, his main technique is the language of metaphor and by rhythmically breaking the meter with long dashes, these two techniques bring to life a powerful image. In the first stanza, since the bird does not know she is there, its natural behavior is not affected by her presence. We see it biting worm-eating birds and half of "wild" or non-human beings. "Raw" continues to underline its wild character. Paradoxically, the word "material" refers to civil values ​​and practices ("raw", implicitly comparing cooked food). Why mention that birds eat the raw materials of worms? Birds "al" walking down the facts in reverse, it seems...... middle of paper...... "crumpled,and was gone." “I know many nature people, and they know me; I feel a transport of cordiality towards them; But I have never met this man, accompanied or alone, without a tight breath, and zero to the bone. ” These concluding sections are relatively and easy to read. A typical human interaction will always be that most people are afraid of snakes - a very common fear. An idea needs further and Dickinson's tendency, including her - no feeling of fear, can't let a snake escape. (and is accommodating physiological changes, such as shallower breathing). Nature is joy and beauty, without warning, for no apparent reason, it can become a threat, a danger. Sometimes nature is linked to death or annihilation, or is perceived as renewable, or as continuous power, or indifferent to human characteristics.