Through the perspective of film, The Birds directed by Alfred Hitchcock raised the theme of femininity. In the opening scene one of the protagonists Melanie Daniels meets Mitch Brenner. It is deduced that he is a rich man who is across the bay. While Mitch was in San Francisco looking for love birds for his sister Cathy, this could be an analogy to the instability of female characters that was presented as he describes wanting to give Cathy birds that are not too destructive and that describes "friendly". The film also offers Melanie's perspective as a figure rather than a person, implying that it is necessary to save the woman as she is in trouble. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Even when Melanie made her run around town to find and present the Love Birds to Cathy to surprise Mitch too. Her desire for him seems to grow as the film progresses. He wanted to make some kind of impression on Mitch. When he arrives at the bay, where the film is mainly set, he asks the postman about MIitch. He will have to run around the city to get information. This leads her to meet school teacher Annie Hayworth while Melanie has to find out Mitch's sister's name as the postman didn't know it. While asking Annie, there was a feeling that she was there to lust after Mitch and a sense of jealousy was presented. He then tells her that Mitch is still a player and Annie describes that many women intrigue Mitch. Later in the film, while Melanie stays at Annie's house, when Annie mentions that she and Mitch were ex-lovers, but Mitch's mom, Lydia, was very overprotected after the loss of her husband and she and Mitch were ex-lovers as well. He stated that he wanted Mitch for himself. In a conversation between Melanie and Lydia they talk about Myth and her husband's death. She told Melanie that she was afraid that if Mitch loved another girl she would abandon her and leave her even more alone. Mitch's jealousy of women plays an important role in the film. In the article “What is Hitchcock's Birds really about? author Megan Burbague presents feminist critic Camille Pagila's statement on the theory of female anger. He proposes that the timing of attacks is related to female anger. “The first attack occurs when Melanie enters Cathy and Lydia's territory, the second when she chooses to sleep at night in their house. The main attack occurs at the birthday party, which Melanie attends, suggesting that she is not a welcome guest.” The theme is that when the females were in conflict the birds attacked. It was the female characters who had the most traumatic reactions to the bird attacks. There was a scene where a woman claims that Melanie is evil, implying that she drove the birds crazy, which can resemble female fear and hysteria. It is when Melanie sacrifices herself that the birds remain calm, thus concluding the scene. While the protagonist was involved or in close range from the birds, it is noted that Melanie is usually alone or protected from the birds. Examples include when the fire was put out and Melanie was trapped in the phone booth, and another scene where she was in Mitch's attic and trapped herself as if she needed Mitch. In the article “The Inevitable Endangerment of Womanhood in Hitchcock's The Birds” by Matthew Eng he describes the envelope as “Hitchcock and production designer Robert F. Boyle are united in imagining and assembling tense, claustrophobic spaces in which to confine Melanie during each of the scenes of the film." scene attack sequences: the cramped rigidity of the front row of a car completelyoccupied, while birds swarm outside from all corners; the cramped space of a telephone booth, in which Hedren squirms helplessly during one of the film's most ironically macabre sequences. This may suggest that he shows her worth and wants to see Melaine struggle while waiting for the male lead to save her. It was when Melanie sacrifices herself and the lovebirds lead her where evil birds attack her. That's when the birds stop attacking. I believe this represents the fact that she has accepted her role of having no power as throughout the film Melanie has been a new adventure for Mitch as he brings another woman into his life. The way she presented herself as a prank didn't impress Mitch, but as the film progresses he grows more and more fond of her and if she needs a man to come and save her from the punishments she has caused. There is also an issue of objectifying women and putting them in their place is in the film Vertigo, also directed by Alfred Hitchcock. This is demonstrated by the female protagonist Judy Barnes who disguises herself as Madeleine Elster to help Gavin Estler kill his real wife. This is done by Gavin who has a retired detective John Fergeson, others prefer to call him Johnny O and his friends call him Scottie spying on Judy or so (Madeline). As he follows her around, he notices her deliberately jumping into the river and Scottie saves her. She convinces him that she is possessed by her grandmother who also killed herself. The problem is that both Judy and Scottie end up falling in love with each other and at one point she convinces Scottie that she killed herself for the spirit of Madeleine's grandmother. Gavin was smart of him because Judy went up to the top of the church and knew that Scottie was afraid of heights and knew he couldn't go up there. Thus making Gavin's real life suicide murder public. Gavin also used women for his own personal gain. He used Judy to help him gain innocence in the eyes of the public by involving her in the plan to have Madeline's grandmother's spirit rest within her. While in reality he had killed his wife and needed a cover-up. Once it is determined that the death was caused by suicide, Gavin tells Scottie that he is running away. While Scottie was grieving the death of who he knew to be Madeline, he runs into Judy. He sees a resemblance to Madeline and decides to keep her in his life. However, he prefers to become possessive by making her dress like Melanie and even dye her hair. At one point Judy returns from the bathroom with her hair pinned up as she pretended to be Melanie. After looking at her, he starts kissing her and starts to get a full picture of Melanie. He then sees Judy wearing a necklace that he knew belonged to Madeleines' grandmother and realizes what Judy's plot was. He then takes her to the church where the real Madeleine was found dead. At the top Judy then confesses what she did. Then he falls as he was in the way Madeline died. Please note: this is just an example. Get a custom paper from our expert writers now. Get a Custom Essay In the movie, even in Birds it is true that women have no real sense of power and cannot exist without a man. As presented above, after mourning Madeleine's death Scottie sees Judy and has her dress up as Madeline as he tried to remind her of the woman he fell in love with. Judy knew what she was getting into as she wrote a letter to Scottie saying she was pretending to be Madeline. She then decides to stay with Scottie and accept his terms, which were redesigning her to resemble the fake Madeline. She was very sorry at first, in the scene where Scottie asks the worker in the suit. Judy is hysterically asking him not to.