Looking at literature in a general sense, one can see that some pieces that use a distorted literary style, rather than the blunt immediacy of realism, can, when actually written, be very useful and highly informative, if only for the higher level of thinking required and inspired by their unnaturalness. Franz Kafka's Metamorphosis is a clear case of distorted literature, in which several important story factors are somehow altered to exaggerate the severity of the protagonist's actual position in life. In the story, Kafka uses abstract symbols, such as Gregor's family members and his relationship with them, combined with or more likely caused by Gregor's physiological metamorphosis to reflect the real degree of Gregor's social and family value, and also allegorically highlight the society's shortcomings. and the family unit. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay At first glance, this story really seems to be about very little and superficially offers its readers minimal information from which to draw conclusions about Kafka's purpose. The story seems too difficult for an uninvolved reader to be effective, because it exists in a world we are not currently accustomed to. Kafka creates a world in which a person can transform overnight into an oversized insect and care less about the metamorphosis than about the work he lacks. Because the story is written this way, because it is distorted, it requires a more in-depth approach than reading something written in the style of realism. With realism, the reader is given some details and much more is explained; everything, in general, can be taken at face value, but distortion asks more of its readers. It requires the story to be read at a higher level and raises more questions that can be easily answered. For these reasons, the conclusions drawn from reading a distorted story, compared to that of a realistic piece, will be deeper, more important and more lasting. The first and most obvious instance of distortion in The Metamorphosis is Gregor's actual physical transformation from a man. bugs. The importance and effectiveness of this story depends on this event and the reader's ability to accept it as fact. By making the protagonist an insect, Kafka tries to raise questions about the meaning of physiology, but at the same time he tries to avoid doubts about the feasibility of metamorphosis. At no point in the story does Kafka allude to the idea that Gregor may not be an insect, but actually dreaming or hallucinating; instead, he uses point of view and point of view to limit the audience's area of ​​concentration and force them to focus on the ideas occupying Gregor's mind. For example, at the beginning of the story, Gregor oscillates between noticing the changes in his body and thinking about how much he hates his job. Since these are Gregor's focuses, they also become the reader's focuses, and we will likely regard his physical change with the same passivity that is in Gregor's nature. Furthermore, since Gregor never questions the possibility of this change, the reader will also not question its possibility, and we can move on, using this metamorphosis as a fact and a fulcrum from which all other distortions and the general truth can be achieved. Physical metamorphosis itself is indispensable, but at the same time we must remember that it is an abstraction of truth and a distortion of reality, which is most likely represented in this world by withdrawal and depression. Gregor, throughout the story, often thinks about his life before,.