Analysis of Mrs. Dalloway by – Virginia WoolfMrs. Dalloway, published in 1925, is a romantic drama with a profound psychological approach to the world of English urban society in the summer of 1923, five years after the end of the First World War. The book begins in the morning with preparations for a party Clarissa Dalloway will give the ceremony and ends late in the evening, when all the guests have left. There are many flashbacks that tell us about each character's past, but they don't go beyond the scope of those few hours. It features several stream-of-consciousness tricks: indirect interior monologue, space-time montage, flashbacks, and psychological free associations based primarily on memory, with the support of imagination and the senses (mainly sight). We can compare the book to a tapestry. where there are two threads intertwined together, separated by the narrative: - Clarissa's party and the whole day of preparations; - Septimus' madness and finally suicide. To abolish the distinction between dream and reality; the writer does this by mixing images with gestures, thoughts with impressions, visions with pure sensations. The language is short and dense, writing in a stream of consciousness, floating from one character's mind to another. In Mrs. Dalloway, Virginia Woolf used non-linear time. You can compare this to surfing the Internet where we can jump from place to place in a non-linear pattern. Despite its apparent discontinuity, Mrs Dalloway has a pattern given by several factors: unity of character, unity of time (everything takes place in one day and is centered on Clarissa's party) and the leitmotif: the sound image of Big Ben followed by the phrase "the lead circles dissolved in the air...... middle of paper......ill" Clarissa, however, decided that Clarissa's double built in the guise of a man destroyed by war and society, it would be taking her own life so that the rest of Clarissa's being can appreciate the life she had. He also analyzes other types of death besides physical extinction: the death of a friendship, due to change, and the death of the mind, due to the absence of change. We know more about Clarissa from comments and thoughts made by others, from discovered memories, and from symbolic reference. The postmodern novel is a simulation of reflections, alternating narrative, poetic allusion, direct prose, metaphor, dialogue, and character development. Like the hat Clarissa and her husband made together, many layers of emotions, feelings, logic, character, and motivation create the design. The moment of creation is therefore the culmination of life and meaning in the novel.